Dudley Symon wrote that when

“the Church of England had ‘found herself’, [and] developed a liturgical sense and interpretation of the popular appeal of her own Liturgy, she instinctively turned to the Classical, the Palladian and the Renaissance model as a more fitting vesture and shrine for her rites. For its meaning and particular beauty to become apparent it needed (as Canon Addleshaw says)

Praise the Lord

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